Thorns (novel)

Thorns (novel)

"Thorns" is a science fiction novel by American author Robert Silverberg, published as a paperback original in 1967.

ynopsis

Humanity has colonized the solar system and moved outward to begin exploring the far reaches of the galaxy. An interplanetary audience follows real-life stories of triumph and tragedy presented to them by Duncan Chalk, a media mogul with apparently limitless resources. Chalk is a kind of psychic vampire who draws sustenance from the emotions of others, particularly those of pain and trauma. Though he enjoys playing his inner circle of assistants against each other as a sort of daily snack, Chalk's true nourishment comes from the dramas he orchestrates on the intergalactic stage for his audience.

Chalk's latest drama involves the pairing of Minner Burris, a space explorer who was captured and surgically altered by aliens on the panet Manipool, and Lona Kelvin, a 17-year-old girl who donated eggs for a fertility experiment that produced a hundred babies. Burris, whose freakish appearance draws attention whenever he ventures out in public, has withdrawn into seclusion and bitterness. Kelvin, whose brief fame as the virgin mother of an army of children has begun to fade, has twice attempted suicide because she has not been allowed to adopt or even see any of her offpsring. Chalk promises Burris a full round of surgery and treatment to restore his human appearance, and offers Kelvin a chance to adopt one of her babies, if the two agree to come together for an all-expenses paid tour of the solar system.

At first the two wounded subjects enjoy each other's company and even become lovers. Kelvin's empathy and compassion are stirred by Burris's plight, and Burris enjoys playing masculine protector and guide to the naive teenager. The affection quickly evaporates into irritation, hostility and even hatred -- all of which provide an emotional feast for Chalk. The two finally break off after a particularly vicious fight, which Chalk uses as a pretext to void the agreement. He does, however, try to keep them on the hook by dangling new offers: for example, he asks Kelvin to befriend David Melangio, a childlike man whose feats of memory and calculation are his only means of meeting a world that has already subjected him to overwhelming traumas. Kelvin erupts in rage and is carried off by Chalk's assistants.

Burris, meanwhile, has realized that Chalk's promise was empty, and that such help may no longer even be possible -- the changes wrought by the Manipool aliens appear irreversible. What's more, the surgery that turned him into a monster has also "improved" his body in unexpected ways that Burris has come to appreciate.

With the inadvertent help of Melangio, who during a typically bland chat lets slip some information that gives them clues into Chalk's true nature, Kelvin and Burris confront the media baron in his office. They expose the full, unfiltered core of their mutual pain to Chalk, who is overwhelmed and finally killed by the intensity of the emotional flood. As the novel ends, Burris has convinced Kelvin to join him in a trip back to Manipool, where they will confront the aliens and, presumably, undergo alterations that take them beyond humanity.

Themes

The line "Pain is instructive" opens and closes the story. It is first delivered by Chalk, and provides ominous foreshadowing of what is to come; it is later uttered in closing by Burris, who has accepted his condition and come to see the pain it causes as a means toward growth.

This theme is illustrated throughout the story in various ways. David Melangio, whose inner defenses have completely isolated him from memories of his terribly unhappy childhood, will never become a fully realized adult unless he faces his pain. Burris appreciates cacti and thorny succulents, and when Kelvin complains about thorns on a cactus, Burris praises the thorn as an elegant evolutionary adaptation to a hostile environment.

The science behind Lona's fertility experiment was quite novel for the late 60's, but has since become commonplace, and is one of the few dated elements in the novel. By contrast, the idea of mass media serving as theater, and being used as a tool to manipulate and exploit vulnerable people, has only become more timely with the rise of reality shows and the like on television.

Allusions

Oliver Sacks name-checks "Thorns" in "The Twins", an essay included in his 1985 collection "The Man Who Mistook His Wife for a Hat". The twins of the title are a pair of autistic savants who enjoyed brief fame on television for performing feats of memory and calculation, though they themselves were incapable of living without close institutional care. Sacks compares their speech and behavior with that of David Melangio and speculates that Silverberg was familiar with them when he wrote "Thorns".


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